Thursday, December 2, 2010

Spicy Orange Sauce

1 large orange
1 egg yolk
2 tablespoons sweet chili sauce
2 teaspoons sugar
1/2 teaspoon crushed dried chilis

Zest orange and reserve orange zest.  Juice orange, removing any seeds.  In a large saucepan combine orange juice, orange zest, and egg yolk with a whisk.  Put saucepan on medium-low heat, stirring with whisk.  When it begins to bubble, add sugar, sweet chili sauce, and dried chilis while continuing to stir.  Reduce to a saucy consistency (it should flow, but thickly).  Remove from heat.


I made this to accompany baked tuna filets, and liked it very much.  Maybe it would go well with other things?

Monday, November 29, 2010

Picture Show: Soggy Pear-Ginger Tarte Tatin


Three D'Anjou (one of which is unripe), and one Comice.  More a compulsion than a desire for the end result.

Ginger in butter.  Ginger was not something I wanted to taste in the tart at this point.  It didn't smell right.  Adding it to the tart was just something I wanted to do.

Boiling sugar before it begins to brown.  The pear on the right is awfully green.  It won't taste like much of anything, but it will make the tart look right, have the right proportions.

Rolled out pastry with a patch.

At this point I removed the pan from the heat.  The Comice is the larger halves.

Because you need before and after photos of the crust.

The brown juice on the edges?  Much of it spilled off the side of the plate when I inverted it from the pan to the plate.

Despite this, the tart, I suspect because of the Comice, was soggy.  But it looks good, don't you think?

Saturday, November 27, 2010

Thanksgiving is not a Great Art

This being a cooking blog, some sort of Thanksgiving post is probably expected. I was going to do one, actually, as I was planning on making pear-ginger tarte tatin. But the pears weren't ripe yet, so I made sweet potato pies again. The pies were good, but was there really anything to say about them? The scope of this blog has mostly only included deliberate experiments (or trying new recipes), and sometimes brief recipes of particularly good improvisations. But in fact "particularly good" is not at all the criterion for which improvised dishes or meals get written here and which don't. There are no criteria really, I just post when I feel like it. Some of the most well-remembered meals, usually those that were made to feed to my family, I never write down at all.

How are these statements connected?
"I'm very nervous when people talk about it as a great art."
"There's a lot to be said for mindless repetitive activity."
"It does not interest me if I'm not feeding people."
Well, Nigella Lawson said all of them. In the same interview she said she was unfazed "when How to Be a Domestic Goddess came out and I was railed against for being, you know, a traitor to the sisterhood, despite the fact that it was so obviously ironic."  Apparently Nigella expects we all share her level of self-consciousness in the nostalgia for domesticity she purveys.

Her story of how she started: when she was working as a journalist, she found space to think in the repetitive activities of cooking.  Making food, rather than a necessity, was in her story a psychological tool and a lifestyle choice.  Instead of feeding people because she's a housewife, she seems to self-consciously enjoy the fantasies that surrounded housewifery.  But obviously this is not the selfless fantasy of classic femininity.  One cooks for the pleasure of feeding, including the pleasure of feeding oneself.  One returns from an exhausting night of partying to make oneself bread pudding in the semidarkness of one's posh kitchen, and one eats it, alone, in bed.  If one is Nigella Lawson, one stages all this on camera and, I imagine, laughs about it.  What makes her so passionate about food, she is asked?  "I'm greedy."

This blog, on the other hand, is more about curiosity than greed or giving.  Although in trying new techniques and recipes, I often take part in a bit of both these pleasures.